Reviews of All In One to Grade 5
PLEASE NOTE THAT THE FOLLOWING MAGAZINE REVIEWS WERE WRITTEN ABOUT THE FIRST EDITION (PUBLISHED 2009) THEREFORE SOME OF THE COMMENTS ARE NO LONGER RELEVANT. All-In-One to Grade 5 has been revised and substantially improved over the years and it is now available in its THIRD edition (published July 2016). The final paragraph of the preface page in All-In-One to Grade 5 summarizes the differences between the 2nd and 3rd edition of All-In-One to Grade 5:
‘The most recent edition (THIRD EDITION) features further simplification throughout the book, making it even more accessible to the young beginner and more suitable for students taking the individual grades en route to grade 5 without, most crucially, losing All-In-One’s integrated approach.’
Click here to read in detail about the the differences between the third and previous editions.
Rhinegold, Music Teacher Magazine (February 2009)
The following is a quotation from a book review published in Rhinegold’s Music Teacher magazine; the UK’s leading publisher for music and the performing arts. It was written by Frances Taylor who teaches mandolin and violin in Essex, London.
Click on the image below to read the review in its entirety
“A welcome addition to theory education”…”really excellent material”… “Imaginative”… “good psychology to encourage and inspire pupils.”
“presented quite differently from most other theory books…an integrated scheme of work as opposed to small chunks of information that will hopefully click together like Lego bricks”
“crosswords, anagrams and stories using Italian and French words…the book is worth every penny just for this section alone”…
…”The book is always clear, with concise language so that pupils of any age should be able to work through it with minimum dependence on the teacher.”
i) the reviewer mentions a separate ‘Reference Booklet’ which no
longer exists because the material has since been incorporated within the main book.
ii) the reviewer mentions mnemonics (used for memorizing note names on lines or in spaces) which have since been replaced with a far more effective method consisting of a one sentence rhyme (in three parts) which spans both treble and bass clef staves.
EPTA Review (in Piano Professional), January 2011 (excerpts from) Written by Bronwen Brindley
“This book by Rachel Billings, who studied at the Royal Northern College of Music, is written in a clear and inviting manner which should appeal to all ages other than the very young.There are many graduated exercises, puzzles and word games, and I particularly like the section that gives an illustrated study of orchestral instruments, their capabilities and range, which prepares the student for the closing section on transposition and simple composition. There are graphs in the opening pages that illustrate the parts of those sections appropriate to each grade and on which page to find them, and boxes to tick off when the student (or teacher) thinks he or she knows that particular feature well enough…
Chapter 1 – Notation – begins with intervals as pattern recognition defining the relationship between notes on a stave. Recognition of the shape of intervals is very important for faster note reading and this is very laudably given prominence here. Also very sensibly, the intervals are defined as “odd” -line to a space, space to a line – and “even” -line to a line and space to a space, a concept that many of use but seldom see written down. Another good feature here is that in order to emphasize that intervals remain the same shape wherever they are on the stave, they have been shown without reference to clefs, so that the student’s attention is not deflected to working out which notes they are, rather than simply recognising the shape.
There are thirty pages referring to Italian, French and German terms, all punctuated with small drawings, hints on remembering them, tests, games and puzzles, stories where the terms can be fitted in with the text, and several crosswords. This is very well done and extremely thorough; also entertaining enough to encourage all but the most obstinate….In the chapter on Tonality, scales are very sensibly introduced with a large diagram of the Circle of Fifths. I find this always fascinates my pupils – they seem to love the logic of it all – and it’s good to find it so clearly explained by Rachel Billings.
…the more I read through this All In One book of theory the more I like it. Even when all the many exercises are completed, it is not a book to be thrown away as we frequently dispose of other completed exercise books.It will remain as an excellent source of reference and one which I can warmly recommend”.
Click the following image to read in detail about the differences between the third edition (now available) and the second edition of All-In-One to Grade 5.
Some customers may be interested to know about the differences between the first and second edition which, although less major, are still significant. The 2nd  EDITION includes additional exercises for both ‘traditional’ and ‘fractional’ note values (alternative terminologies) because knowledge of the fraction method helps the understanding of Time Signatures. Importantly the second edition combines material from the previously separate ‘Reference Booklet – for the complete beginner’ (which was always sold together with All-In-One to Grade 5 but could also be purchased separately). Rachel was eager to avoid confusion by amalgamating the two books, especially because some Amazon customers reported not having received it (the main book makes little sense without it) from which we know the booklet sometimes unfortunately became detached from the main book at the Amazon depot.
Customer Reviews of All-In-One to Grade 5
The following customer reviews are written in date order (most recent at the top).
Please bear in mind that any review written prior to April 2012 is about the FIRST edition of All In One to Grade 5 (first and second edition are no longer in print). The second edition was published April 2012 whilst any review dated after July 2016 is about the THIRD most recent edition of All-In-One to Grade 5.
Mr Sullivan (13th Nov. 2016)
As a full time piano teacher in schools, there are a lot of pupils who have only been concentrating on playing skills and have very little theory knowledge. Some require to reach say grade 5 in a short space of time. That is what this book does. However the theory is presented in a way which is more enjoyable and memorable for a younger person who couldn’t handle just pages of dry theory. The book is thick, has lots of tasks and is a good size to write in. I love the binding which allows the book to sit easily or fold over to a certain page. The pupil using this book has not been through it yet but is enjoying using it a lot.
Tony (Amazon review 9th Nov. 2016)
I am new to music theory, and also only started playing a musical instrument about three months ago, so what would be dreadful for me is wading through a boring text book. However, this book by Rachel is simply amazing. There are illustrations, story lines, crosswords and other helpful exercises to take the reader on a pleasant and interesting journey in learning music theory. I enjoy using it!
Naper (Amazon review 9th Nov. 2016)
Fabulous find! Everything you need to grade 5 theory in one book.
I bought this book for my son who is studying for his Drum exam and wanted to compliment his practical lessons with learning music theory. We have both been very pleased with the layout and quality of the book content and presentation. My son has found this easy to work through and likes that it is a workbook layout so that he can write directly in the book.
It is progressive so although he knew some elements from the early grades, it was good to be able to refer forward and back to elements so you can see clearly how you are progressing, and pick out the parts that he didn’t already know from earlier grades.
Thankyou Rachel for a really well presented and helpful theory book, which is both useful and easy to use.
Amazon customer 5th Nov. 2016)
Does what it says on the tin. Very happy with it
Mrs R.B (Amazon review 4th Nov. 2016)
Best music theory book ever.
This very comprehensive music theory book is brilliantly illustrated with colour, puzzles,explanations and humour. The spiral binding makes it so easy to use. It is simple to find the categories and appeals to all ages and abilities helping them to grasp some tricky concepts. I highly recommend this book and wish I had known about it years ago.
Parent, Berkshire (April 2015)
Amazingly helpful books!! I wish I’d known ‘ALL IN ONE TO GRADE 5’ sooner. This spring bounded book is woven together from four main components: Notation, Time, Tonality and General Musicianship. It’s very well designed and illustrated as well as systematic introduction to the music theory.
It’s more like an outstanding ‘Homeschooling book’. There are clear explanations with lots of practices which really help to increase confidence. The best thing is there is an answer book to check and correct!
D. Blight, Wales (Amazon review May 2013)
Absolutely fantastic! I was a bit sceptical upon buying this book as it looked a bit childish and I thought maybe that would mean some of the info was missing. I was wrong. This book is jam packed with detailed, easy to understand information, and the best thing is the student can take it at their own pace, they can use it as a first stepping stone on the way to theory, a crash course for amateurs who want to get grade 5 out of the way, or as a reference guide for professionals. Amazing! Would recommend to anyone and everyone.
Anne Rees – Pianist/teacher February 2012 (Stockport)
“I’ve been teaching piano and theory for twelve years. Motivating children and young people to master music theory can be challenging. But this book may well be the answer! It’s simply outstanding – thorough, attractive and imaginative. And it’s also very reasonably priced for what it is. I’d recommend every music teacher to give it a try – I don’t believe you’ll regret it.”
Kabbalah Maven – Indiana (United States) May 2010
“Rachel Billings deserves much praise for this book. I live in the United States, and used her method with a 9 year old boy. Perhaps we’ve forgotten how intimidating a piano score is if you’ve never seen one before. There is so much to learn. One thing that sets this method above all the others are the illustrations and exercises. Seeing the humorous drawings makes the subject less intimidating. For example, she uses illustrated stories, in which blank letters in words have to be added from musical notation to complete the story. Very clever and engaging. There are dozens of other very clever illustrations in her book.
The emphasis on intervals is most welcome, as I believe this is the key to performing music.
The book seems to be preparing students for some form of examination that we don’t encounter in the US. There are also differences in terms. We use fractional names like quarter or eighth notes, rather than minims or crotchets. So those areas were a bit confusing for the student. There are other “Britishisms” in the book, but not so many to discourage American students.
The exercises in the book are very well done. Each concept is explained, and then the student is given enough exercises to reinforce the concept. The last chapters include composing for various instruments. So in one book the student is taken from learning the notes to orchestration.
Perhaps the best endorsement comes from the fact that my test subject is thriving, and progressing rapidly. He is absorbing the material quickly, and is enjoying the journey. Thank you Rachel!”
Amy Chidley (Violin teacher, Warwickshire)
“It’s a great resource…thanks for making theory interesting!”..
“I have just completed your book from start to finish with a 19 yr old dyslexic pupil. He came to me a year ago not knowing the difference between a crotchet and a quaver… He is now doing the exam in a few weeks, and practice papers are giving him an average of 85, so I have every confidence he will pass! So, THANKS!”
Anon. (20th Aug 2010)
An excellent quick all-in-one music theory book, with teaching methods and visual aids that make principles easy to remember.
“Excellent quick reference for any learner who has time constraints, but would still like to acquire knowledge of the basic principles of the theory of music. Especially encouraging book for adults who might have thought they had lost the chance to learn music theory years ago. Everything you need to know right up to Grade 5 theory, all in one handy compact book”.
Fordmax (Amazon review April 2011)
This, in my humble opinion, is the holy grail of theory books. Yes, it costs a little more [than the average], but there’s over 250 pages. Everything is broken down into it’s simplest form, with lots of humorous quizes/puzzles to work through to make sure you can put what you’ve learnt into context. At no point do you feel you’ve been over-faced with a concept unlike the more traditional books.